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Isles staff writer for Gotham Sports Network and 1/3rd of the PTIsles podcast.

All fourth-liners welcome.

As the clock struck noon on Sunday, July 1st, it became clear that John Tavares was leaving the team that drafted him 1st overall and headed to the team whose logo was printed on his childhood bed sheets.

That decision sprung New York Islanders’ president and general manager Lou Lamoriello into “plan B” during the start of free agency. Now with an extra $11 million in the budget, he started spending like a young Johnny Pajamas in a Maple Leafs’ team store.

In the first two days of free agency, Lamoriello signed six free agents, extended three players, and made one trade. Ignoring the four contracts signed for Bridgeport, he spent $13.4M on bottom-six forwards, a top-six defenseman, and a goaltender.

Let’s dive a bit deeper into the moves Lou made to kick off this year’s free agency.

4/$3M AAV — 31 years old — Center/Winger

The Islanders’ first move of the day looked to address last year’s abysmal bottom-six. Komarov is a good penalty killer, averages around 25 points a season, and plays with a gritty edge. Think Brad Marchand without the speed, skill, scoring ability, and constant suspensions.

His contract is the issue here. It’s lengthy and a bit of an over-payment. He’ll fit right it.


1/$2.75M AAV — 34 years old — Center

Lou continued to add depth with his next signing. Filppula is a veteran center who’s entering his 15th NHL season. While he’s well-past his prime, he’s still capable of putting up about 35 points a season. Where his specialties lie however, is in the face-off dot. Flipper has won over 51% of draws in nine of his last 10 seasons.

With his contract including a no-movement-clause, he won’t be dealt at the trade deadline. However, at just one year it’s low-risk, high-reward.


1/$700K AAV — 26 years old — Winger

Oh look, another depth forward. Kühnhackl is entering his fourth NHL season and has just 11 goals in 168 career games. He’s not a scorer, even though the GIF below suggests otherwise. He’s a guy who could start the year in Bridgeport or as the 13th forward and play wherever he’s needed.

A cheap one-year deal for a guy who’ll likely be bounced in and out of the lineup.


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1/$1.5M AAV — 26 years old — Goaltender

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The Fragrances / The Advertising

The Fragrances

I remember your touch, your skin, your scent…

As the reinvention of an iconic fragrance, OBSESSED plays on the evocation of memory through scent. Mixing memory and desire, masculine and feminine, the past and the present, these compelling fragrances echo the original OBSESSION, yet blur and reformulate scents for both men and women today.

At the heart of OBSESSED is the memory of a past love, triggered by the scent of another on the skin. Here, the genders are subverted and layered, with the traditional scents of the masculine Fougère—particularly White lavender—harnessed for the women’s fragrance, while the men’s scent is in thrall to a dark Vanilla. These elements are combined with materials more typically associated with each gender; Musks add a sensuous warmth to the women’s fragrance while Amber and Woods strengthen the sense of masculinity in the men’s. It is this tension, a compulsive push and pull that makes the wearer return to the fragrances time and again.

The Advertising

Parallel to the olfactory story of OBSESSED, runs a visual one…

In 1993, OBSESSION truly attained its iconic status when Kate Moss became the fragrance’s face. She was 18 years old when her then boyfriend, Mario Sorrenti, aged 20, shot her for the campaign.

Sorrenti already displayed prodigious talent as a photographer, while Moss was fast becoming not just a model, but a star. Calvin Klein himself, having been shown some of Sorrenti’s informal holiday photography of Moss by the art director Fabien Baron, sent the couple away alone, to the Virgin Islands.

They were asked to replicate the intimacy and informality of the earlier photography for OBSESSION; there was no photographic team, no hair and makeup crew and no art directors present.

The groundbreaking and provocative imagery that ensued reflected the couple’s real love story; besides portraying a mutual flourishing of first love, the images also reveal an obsession with both a subject and a medium by the photographer. As the legendary campaign approaches its 25th anniversary, OBSESSED utilizes never-before-seen imagery from that time and personal biography to further explore and evoke the idea of memory, past love and present iconography.

Transforming some of the additional and unseen prints—there are more than 250 in total—into still life compositions, Mario Sorrenti himself revisits his own history. Further to these iconic arrangements are the never-before-seen films and diary entries made by the photographer. It is here that Sorrenti provides the voice-over with his personal recollections of that time for the moving imagery.

Utilizing additional layers of depth, warmth, intimacy and reverie, the OBSESSED campaign further unfurls the true love story behind a photographic and fragrance milestone. In its limpid, black and white simplicity, its equation and evocation of scent with memory at once reflects the past and the present.

OBSESSED for Men + Women

“I suppose you could say we were obsessed by OBSESSION. If one thing summed up CALVIN KLEIN for us visually, it was Mario Sorrenti’s OBSESSION campaign with Kate Moss. It lived in our heads for so many years and became a touchstone of sensuality when we arrived at CALVIN KLEIN.

We thought about a scent that could reflect such an idea of memory and desire for today. Of male and female, of the memory of somebody else on your skin.”

RAF SIMONS, Chief Creative Officer, CALVIN KLEIN

Q + A

What was the creative process like for OBSESSION?

It was very natural and instinctive, just Kate and me going off and making pictures. I had a Bolex and my Pentax, and even though we were sent there to work, it felt like we were on vacation. It was personal and intimate.

What was it like working with Kate at that time? How would you describe your relationship?

It was great. We were young and in love and I loved photographing her. When we did OBSESSION she was 18 and I was 20, just starting out in our lives with no pressure about anything. We were just going off and having fun.

Why do you think OBSESSION became such an iconic campaign?

I have no idea! I don’t know why it became iconic, it just did. I didn’t really approach it with the intention of taking iconic pictures. We didn’t know what we were going to do. We were just going to make something intimate and beautiful and simple. Looking back, maybe it became iconic because it was honest. All of a sudden people were going crazy about it. It became very controversial. Some loved it and others hated it. Maybe it was too personal for some. The ones that loved it were mostly our age. It was very intense.

What is the concept for the OBSESSED campaign?

The concept for the OBSESSED campaign is about revisiting those pictures and bringing them back as memories. There was a lot of material that hadn’t been used and had never been seen. Hours of 16mm footage. It’s about the old prints, that archive of work, going through old contact sheets, re-editing, discovering new images, you know, reliving that time and those photographs and films.

How has your creative process changed from then to today?

It’s changed a lot. Well, I have more people helping me now—that’s amazing—and it’s much more focused. Back then it was very instinctive. I was still learning a lot about photography, you know, about the art and the craft of it. I was very naïve. I think today I’m much more aware of what I’m doing.

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This wine glass painting glass will be held every 3rd Friday of the month.

Each monthwill be a different unique wine glass painting. This month you will bepainting a Nutcracker Tin Soldier wine glass.

$23pp includes all supplies needed with step by step instructions and abeverage of your choice.NonRefundable. Must register prepay.

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Ste. Genevieve Route du Vin Wine Trail

Journey down Ste. Genevieve’s Route du Vin wine trail for a unique “Wine Diva Weekend”! Along the way you’ll be treated to fine wine perfectly paired with a delicious “Diva Treat” at each of the six distinctive wineries within our scenic region.

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Jowler Creek Winery

Wondering which wine to serve with your Thanksgiving Feast? At this much-loved annual event you can decide for yourself. You’ll taste each of the wines in Jowler Creek’s lineup alongside a small bite of your favorite holiday foods including turkey, stuffing, and pumpkin pie. Cost: $12/person or complimentary for Creek Club members. A portion of the proceeds will be donated to the Lettuce Dream foundation in Northwest Missouri. No reservations required, just come out between 11 am-5 pm.

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Weston Wine Company

Pumpkin pie has had its place at the Thanksgiving table. This year, mix it up and surprise everyone with Pumpkin Pie cupcakes. They’re only $1.99/each, $10.99 for a 6-pack or $19.99/dozen! Feel free to call us at (816) 386-2345 to reserve your cupcakes as they’re only available while supplies last. No reservations are needed for our standard wine tasting - just stop by during business hours to tantalize your taste buds! (Sunday 12-5pm)

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